A Tapestry of Life

From Roger’s friend, Graham

Greetings and welcome,

I hope that you’re thriving wherever you are in the world. A quick update - I’m still working on part 2 of Roger’s poetry reading for YouTube. In the meantime, I’m sharing some further reflections on his poetry.

A recurring theme in Roger’s work is an intimate relationship with nature. His narratives explore complex  interconnectivity between animals, plants, environment and self. Beyond the impressionistic imagery lies a deeper communion with nature aspiring to the sacred. Roger’s inspiration flowed from this affinity with the natural environment. He described it as pantheism - although it also shares ideals with Jainism.

Both Roger and I grew up under the yoke of Christian tradition - which we rejected in adulthood. But our reasons went beyond the insidious anti-gay and misogynist bigotry lurking in certain Old Testament tracts. It was the notion that humans stand alone in all creation as being divinely inspired; uniquely housing a ‘soul’. That flawed foundation of ethics which affords adherents free reign to exploit and enslave (so-called) lesser creatures and desecrate the environment - while obviating responsibility as to suffering or consequence. As with the other Abrahamic religions, Christian dogma conjures the illusion of separation from, and elevation over the rest of nature. (It also provides insight into ecclesiastical hubris.)

The enlightenment of science teaches us that this is fundamentally and evidentially wrong. We share 98.8% of our DNA with chimpanzees - with whom we share a common ancestor 6-7 million years ago. We can trace our evolutionary lineage on the tree of life back through millennia. Our origin and purpose in the universe aren’t inscribed on tablets of stone, but rather, recorded indelibly within strata of rock.

Humankind are not the animal kingdom’s divinely-ordained overlords – we’re it’s caretakers; bearing that weight of responsibility. We’ve close kinship to our fellow creatures. Who could gaze into the eyes of their pet dog, their cat or other domesticated animals and not sense their emotional complexity? Who could fail to acknowledge their affection, their joy or their pain? It offers an inkling that we’re part of something bigger… part of Earth Mother’s glorious magnum opus comprising all living things.

Roger’s nature poems recognise that we’re inextricably interwoven into the tapestry of life; that we’re but threads within the greater fabric of existence.

Take care,
Gx

 

*  *  *  *

 

ANTHEM PLAYED ON A GRASS HARP

Watery sun dripping through trees,
leaves sparkling like jewels in a crown
where we’d wander, my love and I,
ears pricking up at a chick’s first cry,
looking out for others flapping their way
on first flights through dawn rainbows
till gliding with ease as nature meant
for us all, although less so among humans,
a species well known for thinking they
know better than Earth Mother, wishing
them ill (and Hell) who resist straitjackets
and persist in walking tall

On a magic carpet of many colours,
among daisies passing for fairies
in a palace of dreams, we’d go free,
where all prejudices and bigotry
mean less than a fair breeze in the face,
Earth Mother’s caress in the hair,
reminding us how we are, one and all,
as nature intended, no one creature
any more or less precious than another,
each, in their own way, a ‘live’
testament to mind-body-spirit and a history
lending meaning to eternity

We arrived where the carpet
tuned into stone, where no sun shining,
only Shadows, a gathering of forces
preparing to take humanity on and win
any fight it may choose to pick,
no matter rights and wrongs (or alternative
points of view); for them, a certainty
that the world has no place for men, women
and young people whose sexuality
offends a majority choosing to make stand
on a Ship of Fools in a gale force wind, set on
making sense of humankind

Oh, but spring in our hair like jewels in a crown
Love takes for its own!

 

Copyright R.N. Taber 2010 from the collection ‘On the Battlefields of Love’. Revised 2021.

A Window in Time

 

(From Roger’s friend, Graham)

 

Hi everyone,

Over the years I’ve attended many of Roger’s poetry readings. Many took place in public libraries or art centres. Occasionally they were part of an events programme for LGBT+ History Month (February, here in the UK). Often, friends and old colleagues would attend.

I recently discovered a sound recording among Roger’s personal effects. A reading at the Society of Genealogists hire space, London, back in March 2017. Hearing his voice again was evocative. It made me recount those many convivial evenings enjoying poetry and wine. More interestingly though, it offers the listener an extra dimension. They’re more expressive and nuanced than mere lines of printed verse. The added intonation and emphasis illuminates and counter-shades the narrative.

I’ve opted to add some imagery. A simple slideshow really, which hopefully provides a suitable backdrop. My plan is to publish the entire reading in full on Roger’s YouTube channel. For now though, I’m including a link to the first part here: https://www.youtube.com/watch?v=2klMtjNWuSQ

Happy listening and thanks for reading.

Graham

 

*  *  *

 

ROGER TABER - POETRY READING

Tuesday, 21 March 2017

 

PART 1

Close Friends, Distant Lives

A Short History of London

The Busker or Music, Spirit of Life

Last Take on Multiculturalism

Whatever Happened To Love?

The Ballad of Neighbour Joe

Darkness, The Poetry of Mixed Feelings or The Scenic Route To Daylight

View From A Church Window

Life At The Shallow End or Keeping Up Appearances

The Zen Of Counting Beans

A Family Connection or Time Travel Firsthand

Harvesting Imagination

Looking For Answers or Passing Comment On The Human Psyche

Mother Love

The Guardian

 

(CC) R N. Taber 2017

 

United we stand, divided we fall...

 (From Roger’s friend, Graham)

Hello, and sorry for not posting here for a few months. Despite best intentions, circumstances prevail sometimes. My mother is receiving end-of-life care so I’ve been making regular trips to the family house in Trowbridge. Thank you for visiting Roger’s poetry blog.

I’ve been contemplating the recent riots here in the UK, following the social media disinformation as to the identity of a child-murderer at a Southport nursery. Beyond the horror of the attack, it has highlighted the mistrust and intolerance which exists within our multicultural society. It underscores the fault lines of disparate communities. More widely it is a global media exposé on a fragmented society. As an egalitarian British guy I feel shameful about what has transpired.

A very wise Ghanaian friend once said to me ‘your rights end where mine begin’. It’s a deceptively simple remark which actually delves into the profound; that freedom to express one’s identity – whether religious, cultural or political – must end at the point where it infringes upon the liberty of others. Freedom of expression cannot be boundless. Especially in a multicultural society which, intrinsically, encompasses differing perspectives on ethics and social norms. It must rely on a degree of acceptance for secular principles. Such as the individual’s right to choose where they worship and who they love. But more widely, multicultural cohesion relies on an acceptance that women share this right, along with those who are uncertain about their gender identity. Those who don’t conform to cultural notions of propriety have an equal right to be free from violence, if not opprobrium. Those who leave a religion too, to become ‘apostate’, ‘gentile’ or ‘blasphemer’ still retain a basic right to be free from violence and threats.

People who think otherwise, well, perhaps they don’t truly belong in a democracy...? Rather, a theocracy, a fascist dictatorship or an ochlocracy where they can happily tie people to the pyre. To so fervently support division whether political, religious, or otherwise, ignores our common humanity. And embraces the illusion of ‘otherness’ - so often stoked by (so-called) community, religious and political leaders.

In an increasingly pluralistic society, there’s a point where we must listen to those seeking to build bridges. Rather than burn them.

 * * * *

‘Those who can make you believe absurdities can make you commit atrocities.’ Voltaire.

‘The true triumph of reason is that it enables us to get along with those who do not possess it.’ Voltaire.

* * * *

GUEST SPEAKER

I am relatively new
to the world’s societies
bent on testing me
to the limits of tolerance
towards a diversity
keen to embrace everyone,
regardless of race, sex
or creed if on its divisions
determined to feed

 I dare have my say
in public places, Holy Books,
political manifestos,
though adults (as a rule)
less likely to grasp
what it is we’re getting at
than the child at school
asked what he or she thinks
life is all about

We have to live together,
which means more agreeing
to differ, if only to defuse
rising discontent with animosity
dished up by this culture
or that religion vying for priority
with precious little respect
for a common humanity

Engage with me, Multiculturalism,
expose any Politics of Separatism

Copyright R. N. Taber 2010

 

Love in all its Rainbow Hues

 

From Roger’s friend, Graham

Growing up is challenging enough, even without the burden of stigmatisation for loving someone of the same gender. There’s room for improvement here in Britain, but generally LGBT+ citizens have equal rights enshrined by law. In places of employment (excepting religious organisations) discrimination on the grounds sexuality or gender identity is illegal. Since the Civil Partnership Act in 2004, same sex couples can join in a legally recognised partnership. And after the UK Marriage Act in 2013, LGBT+ couples are able to marry.

Marriage is perhaps the ultimate expression of love for those fortunate enough to find a soulmate. It’s also a declaration of love to family, friends and beyond. For couples with religious faith, it’s a sacred vow of love with God as their witness.

Love is also a scintillating rainbow of sentiments. Greek philosophers Plato and Aristotle wrote of a whole spectrum of emotions such as friendship love; philia, familial love; storge and passionate love; éros. Greek mythology also abounds with inspirational tales of profound and tragic love such as Orpheus and Eurydice. Love can be the light of your life - or the heart of your darkness…

Roger explores these epic themes expansively throughout his writing. Sometimes in sonnet form - popularised in Elizabethan England by William Shakespeare and his contemporaries. (I hope to explore this theme in a later posting). His printed works often devote a section to the theme of love. They are, doubtless, poems interwoven with personal experience.

Roger and I occasionally discussed past relationships and compared notes on our respective missed opportunities, dashed hopes and even disasters. Alas for Rog, he wasn’t lucky enough to find a long-term partner. Although I believe his romantic soul never lost hope in meeting someone special.

In later life, I feel assured that Roger derived fulfilment through the reciprocal love of close friendships. Can this be enough to sustain anyone in the absence of a partner, estrangement from family or societal ostracisation? I imagine we’d all have a differing answer. Throughout my own voyage of self-discovery, friendship has certainly proven to be the most unconditional form of love. An enduring bond with Roger remains testament to that.

 

*  *  *

 

‘Love and compassion are necessities, not luxuries. Without them humanity cannot survive.’ Dalai Lama

‘Love is a canvas furnished by nature and embroidered by imagination.’ Voltaire

‘Keep love in your heart. A life without it is like a sunless garden when the flowers are dead.’ Oscar Wilde

 

*  *  *

 

I’ll leave you with a trio of love poems – all from Accomplices to Illusion, Roger’s 2007 collection. I should explain that I’m staying with family presently - with only one book for source material. Wiltshire offers a welcome change of scenery. Tall oak trees surround the house. Their upper branches sweep back and forth like an artist’s frantic brushstrokes on a grey-marbled canvas. I look out on the small garden; the colours of shrubs diluted under a dull watercolour sky. A crow flies past; its hoarse cry breaking the mesmeric spell of birdsong. It fades to a black smudge on a watery treeline.

Thanks for reading.

 

*  *  *

 

NIGHT WATCH

I have greeted chimes at midnight
lain half dead at the toll for one
as my lifeblood ebbs to a starlight
behind clouds, watch all but done

I have heard the clock ticking over
for the passing of happy hours…
nor shall, when it stops, run for cover
but embrace a time forever ours

I have heard sweet songs at sunrise,
watched the last stars slip away,
seen my life’s light bright in your eyes
promise a beautiful spring day

As nature pauses at stark winter’s cold
so lovers dream, beyond a growing old

 

Copyright R N. Taber 2007 [a sonnet].

 

*  *  *

 

BONDING WITH ETERNITY

It was love opened up my heart
to all life means to me…
nor shall death its bonding part

Sands of time, soulmates at the start,
a song of destiny;
it was love opened up my heart

May the world no finer truths impart
than its natural beauty;
nor shall death its bonding part

Like summer skies, stars, even clouds
charting a fragile humanity…
it was love opened up my heart

If a taste on the tongue sweet or tart,
our togetherness a delicacy;
nor shall death its bonding part

Be nature’s kin struck by poison dart
comprising all humanity…
it was love opened up my heart
nor shall death its bonding part

 

Copyright R N. Taber 2007 [a villanelle].

 

*  *  *

 

WEATHERING LOVE

When I dream of you it is a springtime
of high hopes I’ll not forget

When I think of you it is midsummer,
(that rainy day we first met)

When I speak of you, each word is like
an autumn leaf that’s falling

When I hear your name on another’s lips
it’s but a winter robin calling

At nature’s whims, a beauty, each its own
though we weather it alone…

 

Copyright R N. Taber 2007.

Regret, Companion to the Fool

 

 Roger, 1945-2023. A note from his friend Graham

 

Welcome from the ‘Essex Riviera’ at night. Thank you for reading.

Job, a minor contributing author to Bible canon, suggests that ‘wisdom comes with age’. Although I’m fairly sure that accumulating years merely confers experience and wrinkles. It’s rather retrospection that informs better choices.

Roger always promoted the idea of agreeing to differ. Even where diametrically opposing opinions clash. It’s the difference between a feisty debate or a blazing row. It is the discipline of healthy discourse, rather than viewing an opposing opinion through the distortion of ad hominem. In a wider sphere, it’s the difference between coexistence and war.

It is an uncomfortable truth that, as with most friendships, Roger and I had our occasional arguments. Even to the extent of hitching up petticoat tails and flouncing away in high dudgeon! Looking back, especially now that he’s passed away, I regret those occasions. They evoke a sense of self-recrimination, and rightfully become somehow absurd under the shadow of mortality. Most of our arguments occurred in the early days of our friendship. Predominantly over my awful timekeeping. I was in my early 30s and so blasé about punctuality. It annoyed him intensely - and rightly so. Mea culpa.

In so many ways, Roger made me a better person. He encouraged me to read great works of literature. He offered constructive criticism with my early attempts at poetry. A mentor really - as well as a best friend. We agreed on most things. But there were contentious issues at times.

The toppling of Edward Colston’s statue by student activists on 7 June 2020 in Bristol, being an example.* Yes, it’s true that destruction of public property is, on the face of it, criminality. And true, reinterpreting history for a political agenda is also problematic. (In this instance relating to Black Lives Matter.) However Roger’s disapproval of ‘vandalism’ by students seemed to me at odds with his core ethos on decrying hypocrisy. It looked like a sop to a politically conservative viewpoint (or perhaps it simply highlighted our generational divide). He regarded the removal of the bronze cast (by John Cassidy, 1895) as a version of mob-rule (ochlocracy). The destruction of ‘art’, Roger suggested, was a prelude to another Kristallnacht** and the horrors that followed in its wake. It remains a valid viewpoint.

But was it really ‘criminal damage’ or mindless destruction in this case? There’s something inescapably symbolic, and subjective, about placing a figure on a pedestal in a public space. It implies moral virtue. Specifically, Colston (1636–1721), a pious, ‘Christian’ man and MP, made various grandiose gestures to charities like Almshouses - to great public acclaim (virtue-signaling in modern terms). A self-publicising philanthropist. Although, his effigy emanates that unholy stench of hypocrisy. As an investor in the slave-trade, he weighed the lives of enslaved Africans as little more than chattel. Does this eugenicist worldview inspire civic pride among Bristol’s multi-ethnic community…?

It seems befitting that Colston’s effigy was cast into the depths of Bristol Harbour. A watery grave shared by so many of those rebellious West Africans aboard trans-Atlantic slave vessels. Karma perhaps. Nowadays, let’s face it, Colston would be languishing in prison for people smuggling and modern-day slavery - rather than occupying the elevated position to which his blood-money afforded him. In my opinion, ridding the public space of him was an act of cleansing. And a collective gesture of moral aestheticism. It is surely valid to question the legitimacy of those figures who are held aloft as pillars of society? (As are the motives of those local civic leaders who strive to keep them there.)

With hindsight though, I realise both our opinions were valid. Both grounded in history and both informed by moral conviction. Opposing interpretations…

I think the point I’m trying to make is that obstinacy (or hubris) has a price to pay. It can be an obstacle to making amends with someone dear to our heart. And to some extent the conceit that accompanies a fervently held opinion deafens a person to other perspectives and blinds them to another’s legitimate counter-argument. It mutes expressions of regret and stifles the words ‘I’m sorry’. It is the genesis of regret. In my experience, a degree of humility is easier to live with than regret.

 

‘A man is not old until his regrets take the place of his dreams.’ Yiddish proverb

 

Notes:

* It was quite a heated disagreement. I think my indignance stems from visiting Cape Coast and Elmina slave castles in Ghana, 2006. Both housing churches to administer blessings and hear the prayers of men like Colston. And their depravities regarding enslaved female Africans resulted a fair-skinned, biracial local population that continues to this day.

** Nazi thugs destroying Jewish homes, hospitals schools and businesses in Germany, 1938.

 

* * *

 

REGRET

I move with favour or prejudice
among men, women, children;
To whomsoever calls me out, I will
always answer, no one denied
the music I bring, Blues I sing;
Rich, poor, famous, infamous, saints
and sinners… welcome to tap into
a wisdom some say down to Fate,
lessons learned too late

I touch without favour or prejudice
the loose thread missing a button
that old sock, empty vase in rooms
yawning with boredom for what’s
on TV and must have heard that CD
a thousand times (surely?) though
any sound better than none and
(finally) settling for a plaintive purr
by a lap tray set for one

I bury without favour or prejudice
forgotten dreams, misspent ideals,
wishful thinking on falling stars…
meant to light a kinder, better world;
alas, not meant to be though we
mull over old letters, photos, poems,
home videos… as dead as the cat
whose meows we miss and listen for
at every mealtime

I move without favour or prejudices
among life’s pleasures and losses

 

Copyright R. N. Taber 2015. From the collection ‘Accomplices to Illusion’.

Shades of Comic Genius (and Quinquagenarian Angst)

 

From Roger’s good friend – Graham

 

Sap is rising, shoots are sprouting and buds are throbbing in anticipation…

Today’s poem ‘Shades of Comic Genius’ offers an amusing take on a couple who rediscover the passions of youth in their later years. A blaze of glory as they surrender to the unbridled urges of nature and cast away, if briefly, the burden of age. It’s an enchanting example of the whimsical aspect in some of Roger’s writing.

Speaking of age, I imagine that cresting past that mid-life hill can be daunting for many of those in my generation. Especially if they find themselves single and there’s an incentive to maintain that sylph-like physique of youth! Although that objective does become a bit of a pipedream, unfortunately, as years advance.

It’s an unsightly truth that age and gravity conspire to steer one’s finest assets on a southward migration. Looking in the mirror recently, I was reminded of one of those mudslide events that you might see in a disaster movie. Although I consider myself fortunate that I can still glimpse my feet between shoegazing moobs. (It’s certainly a stark contrast with the type of ‘hangovers’ I faced during my student days.) Sitting in the bath the other day was reminiscent of a baggy old armchair that had become waterlogged.

As if that wasn’t bad enough I was disappointed recently when my young niece asked me why I appeared to be frowning in some of the family photos. I had to explain that I was just facing down slightly and the mouth was sagging. She was kind enough to offer the assistance of a photo enhancer app although I gratefully declined. (Fastening a large bulldog clip to the back of the scalp might be more effective?)

I remember poor Rog complaining about ten years ago about his midriff getting wider. He was worried about becoming ‘bell-shaped’. I couldn’t think of anything diplomatic to say so I suggested that at least, he’d be the ‘belle of the ball’. Fortunately he was immune to my cheeky banter and laughed. Latterly, his avoidance of dairy products seemed to stop the expanding girth which was some consolation.

Much of the time we tried to laugh about our frailties and work around them. Or imagine, at least, that our salad days hadn’t entirely withered on the vine. Anyway, it’s good to throw caution to the wind sometimes; budding with memories from the bloom of youth…

 

*  *  *

 

‘She said she was approaching forty, and I couldn't help wondering from what direction’. Bob Hope (British-born American entertainer).

 

*  *  *

 

SHADES OF COMIC GENIUS
(For old[er] people everywhere)

We stripped naked under a leafy sky,
saw our bodies turn gold,
for a while forgot about growing old

Rediscovering youth’s feisty passion
we surfed its glorious tide,
put aches, pains and home truths aside

A balmy breeze gave us its blessing
and songbirds sang amen
while halcyon days revisited us again

Though years pass and take their toll,
the spirit of adventure remains
to seize the day, throw off its chains

If love is the greatest adventure of all,
sex is but half the story,
a shared empathy, its power and glory

We dressed quickly, nature applauding
bodies frayed at the seams
acknowledging its comedy of dreams

 

Copyright R. N. Taber 2010. From the collection On the Battlefields of Love

 

*  *  *

 

I’ve also included a jokey poem that I found in an old email which never quite made the grade for publication (‘Senior Moments…’) . However, it ties in so well I’ve included it. I think older readers will appreciate it...

 

SENIOR MOMENTS or GROWING OLD WITH CHUCKLES
(And, no, Chuckles is not my cat.)

This little poem of mine
may well be missing the occasional line
since senior moments with me
are as common as sugar or milk in a cup
of coffee or tea

Whenever out and about,
I rely on my trusty walking stick’s support,
but will often raise the alarm
when I put it aside and it chooses to hide
(usually on my arm)

An easy to follow recipe
(meant to impress old friends visiting me)
might well prove a mistake
when I get proportions sufficiently wrong
to make us all feel sick

I have hurried for buses
only to find I’m soon counting my losses
for its heading (miles) away
from whatever destination I’d had in mind
and forgetting that anyway

A positive thinking person,
I refuse to let senior moments get me down,
but love to laugh at them
among friends over a few drinks in the pub,
ever toasting, ‘Carpe Diem’

 

Copyright R. N. Taber 2016

Painted Dreams

 

From Roger’s friend, Graham.

 

Greetings from a cloudy Essex riverside, and welcome.

Life can be a bittersweet symphony, as the song by British indie band, Verve, suggests. A shifting interplay of light and shade; smiles, tears, triumph and tragedy. How the individual makes sense of it is, like art, a studied interpretation.

Whether poet, artist, or none of the above, the human sees beyond the innate existence or istigkeit of their subject to reveal deeper truths. Capturing aspects of its meaning, its purpose, or even its cultural symbolism. Though a painting or poem merely occupy a veneer, their expositions delve deep. They’re so much more than just visual facsimiles or mechanical recordings.

Although constrained in his early years by familial and societal expectations, Roger, I think, blossomed in later life. He discovered his métier and befriended his muses. He embraced his passion for poetry, daring to rise above naysayers and the sniffy literati. (Just as any self-respecting Impressionist would disregard the strictures of Académie.) In the period that I knew him, he lived a bold, liberated and authentic life. ‘I’m past caring what people think about me’ he might say. Or sometimes (after a vino or two) he was rather more forthright: ‘Ah boll*cks to ‘em!’ he’d proclaim with a wry bardic grin.

I know Roger loved the paintings of British artist William Turner (or J. M. W. Turner). I sense that influence in his impressionistic wordscapes. His mind’s eye conjuring glittering pools of reflection, rolling pastures of rampant joy, and brooding skies of depression. Edges diffused, flowing and pulsing, in a vivid palette of words. A tree centre stage, feverishly worked into a hazy summer meadow. Figurative renderings; intertwining in storms of passion, making love, coalescing into a single entity. Fleeting beauty, captured in all its fragile and poignant intensity. Grotesque demons of blind hatred and heartless sanctimony exposed in their naked form; their monstrosity and absurdity revealed. Intense outpourings of a soul in ecstasy or agony; becalmed or in the tumult of a raging existential tempest. Unvarnished truths… swirling interplays… bold strokes. Lines of time tracing the vigour of youth to the frailty of old age. A life within and without; captured in all its delicate and gaudy hues.

Though Roger’s passions are now spent, his palette dry and his mind’s eye sleeping, his impressions endure. Open to interpretation and fresh perspectives. But most of all – to be enjoyed in that wondrous communion between artwork and observer.

And like his wordscapes, Rog blazed brightly in life too. Illuminating darkness and filling days with colour. Always there for me when I needed sage counsel, shelter, or reassurance. Likewise, I did my best to help him in his times of need. More than that though, he was great fun to be around. We enjoyed many uproarious days out*; consuming far too much ale and jokingly posturing around town as a pair of swaggering Bohemians. I recall our hilarious drunken antics involving spectacles falling into toilet pans, ales inadvertently slopped over crotch areas, and trousers accidentally slipping to half-mast on tube platforms. (Possibly not the sort of exposure an artist craves?) Plus a whole litany of other indecorous displays. It’s a wonder we weren’t arrested! Ah, dear ‘ole Rogie - feet of clay, but his head in the stars. It was a joy and a privilege…

I feel that Roger left this world slightly more picturesque than he found it. His legacy; a gallery of living, breathing landscapes of the imagination. I’ll leave you with one of my favourite poems. (Please forgive this self-indulgence, but I’m hopeful you’ll enjoy it.) It’s raw creative dynamism still paints my daydreams.

Cheers, Gx

* Reference to the period prior to Roger’s nasty fall and subsequent mobility impairment.

*  *  *  *

 

THE POET’S SONG

I am a Painter of Dreams,
my brush, a pen – words
all the paint available, tackling
the unassailable to bring within reach
of unquiet heart, restless soul,
images of life and love,
vision of a goal beyond perimeters
of time, space - humanity’s crude
conception of grace

I am a Painter of Dreams,
bringing you mine, intruding
on yours, winging heaven’s
elusive towers that flicker in a mist
of aspiration, inviting inspiration,
daring us to home in, defy
the rude mentality of a classroom
morality - humanity’s crude
conception of spirituality

See-Hear-Taste-Touch-Smell,
I am a Painter of Dreams, who
means well but often offends
who dare suggest I speak for all
that seek gold where the rainbow ends
for, like Pandora’s Box, our secrets
once let fly - each to their own;
Painter, dreamer, shades of light
or ships in a cruel night

Senses, falling apart at the seams
for a Painter of Dreams

 

Copyright R. N. Taber. From the collection: First Person Plural, 2002.