A Tapestry of Life

From Roger’s friend, Graham

Greetings and welcome,

I hope that you’re thriving wherever you are in the world. A quick update - I’m still working on part 2 of Roger’s poetry reading for YouTube. In the meantime, I’m sharing some further reflections on his poetry.

A recurring theme in Roger’s work is an intimate relationship with nature. His narratives explore complex  interconnectivity between animals, plants, environment and self. Beyond the impressionistic imagery lies a deeper communion with nature aspiring to the sacred. Roger’s inspiration flowed from this affinity with the natural environment. He described it as pantheism - although it also shares ideals with Jainism.

Both Roger and I grew up under the yoke of Christian tradition - which we rejected in adulthood. But our reasons went beyond the insidious anti-gay and misogynist bigotry lurking in certain Old Testament tracts. It was the notion that humans stand alone in all creation as being divinely inspired; uniquely housing a ‘soul’. That flawed foundation of ethics which affords adherents free reign to exploit and enslave (so-called) lesser creatures and desecrate the environment - while obviating responsibility as to suffering or consequence. As with the other Abrahamic religions, Christian dogma conjures the illusion of separation from, and elevation over the rest of nature. (It also provides insight into ecclesiastical hubris.)

The enlightenment of science teaches us that this is fundamentally and evidentially wrong. We share 98.8% of our DNA with chimpanzees - with whom we share a common ancestor 6-7 million years ago. We can trace our evolutionary lineage on the tree of life back through millennia. Our origin and purpose in the universe aren’t inscribed on tablets of stone, but rather, recorded indelibly within strata of rock.

Humankind are not the animal kingdom’s divinely-ordained overlords – we’re it’s caretakers; bearing that weight of responsibility. We’ve close kinship to our fellow creatures. Who could gaze into the eyes of their pet dog, their cat or other domesticated animals and not sense their emotional complexity? Who could fail to acknowledge their affection, their joy or their pain? It offers an inkling that we’re part of something bigger… part of Earth Mother’s glorious magnum opus comprising all living things.

Roger’s nature poems recognise that we’re inextricably interwoven into the tapestry of life; that we’re but threads within the greater fabric of existence.

Take care,
Gx

 

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ANTHEM PLAYED ON A GRASS HARP

Watery sun dripping through trees,
leaves sparkling like jewels in a crown
where we’d wander, my love and I,
ears pricking up at a chick’s first cry,
looking out for others flapping their way
on first flights through dawn rainbows
till gliding with ease as nature meant
for us all, although less so among humans,
a species well known for thinking they
know better than Earth Mother, wishing
them ill (and Hell) who resist straitjackets
and persist in walking tall

On a magic carpet of many colours,
among daisies passing for fairies
in a palace of dreams, we’d go free,
where all prejudices and bigotry
mean less than a fair breeze in the face,
Earth Mother’s caress in the hair,
reminding us how we are, one and all,
as nature intended, no one creature
any more or less precious than another,
each, in their own way, a ‘live’
testament to mind-body-spirit and a history
lending meaning to eternity

We arrived where the carpet
tuned into stone, where no sun shining,
only Shadows, a gathering of forces
preparing to take humanity on and win
any fight it may choose to pick,
no matter rights and wrongs (or alternative
points of view); for them, a certainty
that the world has no place for men, women
and young people whose sexuality
offends a majority choosing to make stand
on a Ship of Fools in a gale force wind, set on
making sense of humankind

Oh, but spring in our hair like jewels in a crown
Love takes for its own!

 

Copyright R.N. Taber 2010 from the collection ‘On the Battlefields of Love’. Revised 2021.