Tuesday, 4 October 2016

Art History, a Measure of Home Truths

http://en.wikipedia.org/wiki/R._N._Taber

An art teacher at my old school once told the class that we should not only learn how to look at art but how also to feel it. That was a good half century or so ago, but I am grateful for the tip to this day.

When we look at a painting, for example, it is obvious what we are looking at; less obvious is what lies behind the paining; how the painter saw his subject through inner eye and various absorbed impressions. The artist’s choice of colours and their shades, the force of certain brushstrokes, all are clues to what he or she is saying not only about his or her subject but  also about themselves.

The best art forms are not only delightful on the eye (or ear) but also draw us into them and thereby into ourselves. In this way, many art works survive centuries and a posthumous consciousness remains available to be tapped into by the discerning art lover who may not even be an expert, simply open to ‘live’ impressions.

This poem is a kenning.

ART HISTORY, A MEASURE OF HOME TRUTHS

Looking at me, its’s likely
that far more
than all you see will touch
mind, body and spirit,
sufficiently firing imagination
to give inspiration
a voice for home truths
ghosting paths of times past
and present…

Observing me closely, find
the inner eye
homing in on brush strokes,
the lighter here
and heavier there, colours
chosen for warmth
or cold, and touches of light;
dark, dreamy twilight,
moody gloom…

Seeing is not always (quite)
believing that creativity needs
an audience;
desires one, yes, if only to share
impressions of mind,
body and spirit laid bare
in such a way
as to make a presence felt
that would out

Art, a psycho-creative presence
redefining subject and audience


Copyright R. N. Taber 2016

No comments :