A Poet's Blog: Roger N.Taber shares his thoughts & poems...

Thoughts and observations by English poet Roger N. Taber, a retired librarian and poet-novelist.- "Ethnicity, Religion, Gender, Sexuality ... these are but parts of a whole. It is the whole that counts." RNT [NB While I have no wish to create a social network, I will always reply to critical emails about my poetry. Contact: rogertab@aol.com].

Name:
Location: London, United Kingdom

Sadly, a bad fall in 2012 has left me with a mobility problem, and being diagnosed with prostate cancer the same year hasn't helped, but I get out and about with my trusty walking stick as much as I can, take each day as it comes and try to keep looking on the bright(er) side of life. Many of my poems reflect the need to nurture a positive-thinking mindset whatever life throws at us.

Thursday 31 July 2014

Ode to Apollo, Profile of a Life Force


I have just uploaded the second of three Stourhead videos/poems to You Tube, shot by my close friend Graham Collet and for which I wrote Ode To Apollo (see poem below). 


Regular readers of my poetry will know that I have a strong affinity with Apollo, the sun god of Greek mythology, not least because he was reputed to be bisexual. The old gods are the stuff of mythology and legend now, but have we not replaced them with little tin gods of our own which, incidentally, have far less gravitas?

The Temple of Apollo at Stourhead stands high on a hill overlooking the gardens; it was built in 1765 by Henry Hoare as his finishing touch to the famous landscape garden. Renovation work was begun by the National Trust in 2009 before which the Trust spent months gathering historic paintings, family records, accounts, letters and visitors' diaries to find out how the monument would have originally appeared. 

The temple at Stourhead was designed by Henry Flitcroft and influenced by an engraving of a circular temple at Baalbec, an ancient Syrian city now part of the Lebanon, and the Temple of the Sun at Kew Gardens, which was destroyed in a gale during 1916. A favourite spot for romance, it was used as the location for a rain-drenched dramatic exchange between Darcy and Elizabeth Bennet in the 2005 remake of Jane Austen's Pride and Prejudice starring Keira Knightley and Matthew Macfadyen. Timber from the Stourhead estate was used to form the structure of the new dome which has been covered in sheets of lead to keep it watertight. The walls inside the temple have been re-plastered and gilded plasterwork based on a description in a letter written in 1801 by Reverend Warner, the Rector of Stourton.

Rev Warner's letter states: "The roof of the Temple spreads into a dome and has a double ceiling; in the lower is the aperture, and in the coving of the other, a splendid gilt representation of the Solar Rays, which, receiving the real light of this orb by an artful construction, throws into the Temple below a most splendid reflection when the sun is in its strength."

Well worth a visit on a sunny day.

ODE TO APOLLO, PROFILE OF A LIFE FORCE

Hear old gods mocking us
behind passing clouds
as a defeated foe well might
for observing its enemies
counting the ever rising costs
of victory

Only Apollo (still) brokers
an enduring peace
without taking sides or even
an ulterior motive
besides a voyeur’s delight
in human behaviour

Where the world rides out
its storms over land,
sea and air, find fair Apollo
behind the scenes
busy negotiating its survival,
albeit conditional

Where time wings past us
at a tangent,
see Apollo rein in his chariot
just long enough
to shine hope in our faces,
the rest up to us

For every bitter-sweet smile,
a bitter-sweet tear
at Apollo’s call to nature
and human nature
for nurture, reconciliation,
and regeneration

Meanwhile, all life presses on
with the act of Being;
the Here-and-Now engaging
with us for better,
for worse, ugly or beautiful,
old gods or new

Copyright R. N. Taber 2014



 






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Wednesday 30 July 2014

P-E-A-C-E, Sounds of Silence


The world is always turning, yet how little it has changed in real terms (i.e. those that really count) since its creation...

Recent reminders of war and fierce resistance to dictatorship in various parts of the world and hate crime on our very own doorsteps brought this poem to mind.

When will they ever learn? Oh, when will we (all) ever learn?

This poem is a villanelle.
  
P-E-A-C-E,  SOUNDS OF SILENCE 

Oh, for the sound of silence
as only heard in dreams
where no one wins or loses,
but common sense rules
on a reality check where grief
ceases firing its guns
in a deaf-blind rage against
a mind-body-spirit
down but never out if slower
to take heart

No escape from loneliness
on wings of a bird...
but in the sound of silence
before applause bursts
upon the grand Theatre of Life
for our playing a part
rather than sitting in the stalls
letting better actors
than ourselves be accomplices
to illusion

Where poverty, hunger,  pain,
crying out to be free,
find in loving one another
no small relief 
from the failings of any senses
put on hold for want
of meaning, purpose and faith
in ourselves, 
bring light to the darkness angels 
fear to tread

Oh, to let fall a safety curtain
on worldly sounds
distracting mind-body-spirit
from finding peace,
as a child chasing a butterfly
might well be
by the shouts of peers apparently
enjoying more rewards
than in a seemingly futile pursuit
of quiet wings

Copyright R. N. Taber 2004; 2018

[Note: An earlier version of this poem appears under the title 'Towards Enlightenment' in The Third Eye by R. N. Taber, Assembly Books, 2004.]


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Monday 21 July 2014

Testing Times OR A World of Differences

https://en.wikipedia.org/wiki/R._N._Taber

Losing a loved one is hard enough, but losing someone in an accident or with such suddenness that we have no time even to say goodbye has to be about as hard as it gets…

This poem was written some time ago, but in the light of the recent air tragedy in Ukraine our hearts go out to the families and friends of the victims on board flight MH17, apparently shot down by a surface-to-air missile while crossing a war zone. Our hearts go out, too, to those killed during the recent Israeli-Palestinian conflict.

I am left wondering just what kind of sick world we are living in, and is there really the socio-cultural-religious-political will among its leaders to nurse it back to health?  I guess we can but play our part in our own little corner, and trust the ripples spread...

Different people from different cultures, religions and social backgrounds will always have their differences; we should always remember that our differences do not make us different, only human and, as such, part of a common humanity.

When, oh, when, will humankind discover that peace lies in accepting that our differences do not make us so different, only human?

TESTING TIMES or A WORLD OF DIFFERENCES

You left this world
without a word, no time
to say goodbye

You left my world
cold and dark, its comforts
bitter-sweet

You left this world
before your time, its tears
making headlines

You left my world
your body, mind and spirit
to keep it sane

You left this world
its anger and grief, playing
blame games

You left my world
on the wings of a heartbeat
forever ours

We gave this world
the benefit of our worst doubts
in return for…this?

Testing times, indeed
for lovers in a world subject
to the vagaries of time


Copyright R. N. Taber 2014

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Sunday 20 July 2014

Rites of Passage or Overkill?


Life, death, it’s an eternal balancing act...for nature as well as for humankind.

It's down to us to maintain a reasonable life balance, but the rise in obesity among children as well as adults in western societies suggests we should, well....think again.

Let's not underestimate the power of the natural world either in compensating - in part, at least - for its own darker forces, of which humankind happens to be the worst. We may like to think we do as reasonable a job of compensating for its as well as our own way of life, but could it not be that climate change and endangering (if not eliminating) various species is a memo from Earth Mother, to each and every one of us, to...think again?

I am reminded a something a teacher told the class on my very last day at school. "Education is a learning curve. Try to leap before you have learnt, and you'll soon find yourself in deep shit." Everyone laughed but, of course, it is no laughing matter.

RITES OF PASSAGE OR OVERKILL?

On the crest of waves like surfers poised to head
for home in a swirl of raging sea

Nature re-birthing us, milk at the breast, feeding
the best traditions of human spirit

Dark forces, expecting Everyman to take a fall
against all evidence to the contrary

Everyman going it alone on a lion’s back asking
humanity to find it in itself to follow

Survival, greeting applause (hearts and minds)
if only for a sublime moment in time

History, inclined to lose its footing and leave it up
to the arts to restore a balance off sorts

Humankind, surfing a primeval wisdom, drafting
and redrafting pacts with its nemeses


Copyright R. N. Taber 2003; 2017

[Note: An earlier version of this poem first appeared under the title 'Balancing Act' in an anthology, Watch the Dawn, Poetry Now (Forward Press) 2003 and subsequently in The Third Eye by R. N. Taber, Assembly Books, 2004.

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Saturday 19 July 2014

Eyeless in Gaza (Revisited)


Today’s poem as written five years ago; tragically, little or nothing has changed unless for the worse.

Surely, it is high time leaders on both sides looked to their consciences instead of their politics and worked together for a peaceful solution to this sick war?

Playing the blame game will only cost more lives. 

This poem is a villanelle.  

EYELESS IN GAZA (REVISITED) 

Blind carnage in Gaza
(world calling for a ceasefire)
a crime against nature

Child calls for its mother
(dead before she can get there)
blind carnage in Gaza

Each side blaming the other
(but who pays the dogs of war?)
a crime against nature

Dispute dragging on forever
Its roots in geography and culture;
blind carnage in Gaza

Ordinary people fear
the rest of the world doesn’t care;
a crime against nature

Diplomacy holds the answer
(were politics but see its way clear);
blind carnage in Gaza,
a crime against nature

[London, January 8th 2009]

Copyright R. N. Taber 2009

[From: On the Battlefields of Love by R. N. Taber, Assembly Books, 2010; rev. ed. in e-format in preparation.]


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Tuesday 15 July 2014

Sunset on a Country Churchyard


Today’s poem is a recent revision of an early piece, written in 1972, first published in Reach (issue 6) poetry magazine in 1997 and subsequently in my first collection.

Whenever I read early poems, I am often prompted to make revisions; sometimes major, sometimes minor, but always significant. Oh, but if only we could look back on our lives and do the same…

SUNSET ON A COUNTRY CHURCHYARD

A subtle blush
haunts the sky like a shy ghost
stroking the fair-haggard visage
of a long day’s dying

Owl, flying the killing fields;
confetti, where hearses
passed for wedding cars, answer
to a mother's prayers;
a clapping like bats' wings
for fraternity's sake
in the womb-tomb of our history
at this, my wake;
fireflies, frantically obscuring 
photographs of us, like the tears 
dancing on every eye 

A full moon's up,
Rabbit starts, darts for cover;
Owl knows better (even than us)
how soon it's all over

Copyright R. N. Taber 1997; 2001; 2014

[Note: An earlier version of this poem appears in Love and Human Remains by R. N. Taber, Assembly Book, 2001.]







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Monday 14 July 2014

Letting Go, a Song of Twilight

http://en.wikipedia.org/wiki/R._N._Taber

Regular readers will know that Hampstead Heath is not far from where I live. Read about it at:

http://www.hampsteadheath.net/index.html

- and find some poems under the 'Culture' heading

& .hear one of my Heath poems - the very first one - (On Hampstead Heath) on my YouTube channel:

https://www.youtube.com/watch?v=A1z_NiNpRQw&t=114s

Now, I have often said on my blogs that letting go of the past and moving on does not necessarily mean leaving anyone or anything behind.

In my experience, the moment of letting go and placing it in the time capsule we call Memory is invariably as intense as it is exquisite; intense, because it is so personal and so exquisite for being so highly charged with the bitter-sweet smells and tastes of recollection, the inner eye selecting the best of the best while tactfully (or conveniently) skipping the worst.

This poem is a villanelle.

LETTING GO, A SONG OF TWILIGHT

On Parliament Hill, I let go of a kite
and watched it drift over London
till just a speck of summer twilight

I felt humbled by the glorious sight
as if I were sailing heavens;
on Parliament Hill I let go of a kite

Fair, copycat bird in graceful flight
filled me with awe and inspiration
till just a speck of summer twilight

The faintest star, harbinger of night,
tracking me down Memory Lane,
on Parliament Hill, I let go of a kite

Empathising with passing daylight,
gripped by a sense of hanging on
till just a speck of summer twilight

Putting wrongs aside (if not right),
time enough for celebration...
On Parliament Hill, I let go of a kite
till just a speck of summer twilight

Copyright R. N. Taber 2010; 2014

[Note: A slightly different version of this poem appears under the title 'Letting Go' in 1st eds. of On the Battlefields of Love by R. N. Taber, Assembly Books, 2010.]

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