http://en.wikipedia.org/wiki/R._N._Taber
Hi folks,
I am just dropping by as I may
well do so again before the blog kicks off again with some new poems in
October. Oh, and this post is duplicated on both blogs today.
Now, some readers have been in touch to ask if Tracking the Torchbearer is a collection
of poems about sport. Well, no. As with the poem from which the collection takes its title (search blog archives under title) it simply attempts to convey the spirit
of sportsmanship, especially as exhibited by nations of the world coming
together for major events like during the Olympic Games. (There will always be the
occasional exception, but that’s life...)
My Introduction to
the collection may give you some idea of what to expect.
INTRODUCTION BY THE POET
Here in the UK this year, we are celebrating the Olympic
Games coming to London and Her Majesty the Queen’s Diamond Jubilee. On a more personal note, I am celebrating my
twentieth year of getting poetry into print.
I first began submitting poems for
publication in 1993, since when some 600+ poems have appeared in various poetry
publications world-wide (excluding any that only appear in my collections); if
I include titles that have appeared in more than one publication, the total
rises to 650+. Needless to say, I thrilled; it’s not a bad tally for someone a
work colleague once wryly described as ‘a nobody with literary pretensions’
simply because I get very little media attention. [Do I care?]
Some readers may judge that a
disproportionate number of villanelles and kennings appear in this volume. I
will usually choose the villanelle form to record significant national and
world events; also places I have visited where, instead of a camera, I record
my impressions in a poem. My kennings give expression to a more philosophical
bent. Rightly or wrongly, I feel that the discipline ‘form’ poetry imposes on
the poet summons a less blurred picture to mind, and prevents emotive waffle.
Purists are welcome to take issue with my frequent use of ‘hidden’ rhyme.
Some of my critics argue that
rhyme and form constitutes ‘old hat’ poetry. Yet, if variety is the spice of
life, the same goes for poetry surely? Besides, readers seem to like it and
it’s you, the reader, not the critic who really matters.
Why do I write poetry? Well,
because I enjoy it and because it helps me focus on surviving the various slings
and arrows of everyday life. As someone
prone to bouts of depression, I fear I would otherwise lose the plot
altogether. It is also very gratifying to receive feedback, positive or
otherwise. Many UK public libraries stock some or even all my titles while the number of readers world-wide who
dip into my poetry blogs from time to time continues to rise significantly.
As a librarian all my professional
life, I am thrilled that the British
Library has decided to include my poetry blogs in a project archiving certain
websites. This, in addition to my poetry reading on the 4th plinth
in Trafalgar Square for Antony Gormley’s One
& Other ‘live sculpture’ project; the entire web stream of 2,400 people
doing their own thing for one hour 24/7 over 100 days July-October 2009 is now
archived in the British Library.
Another new project has been
uploading readings of some of my poems to You Tube with my close friend Graham
Collett acting as cameraman; he also edits all our videos before we upload
them. He is also responsible for production and/or design of some of my book
covers, including this one. It has been great fun, and if results are not
always ideal, we hope readers will enjoy what is very much a team effort. While
we have done our best, we haven’t taken it too seriously, not least because any
art form, including poetry should, above all else, entertain. (I fear critics
are frequently inclined to overlook this essential feature of the arts.)
While my gay-interest poems have
met with some hostility, most feedback has been very positive, so much so that
by the time I came to publish On the
Battlefields of Love in 2010, I
felt that few readers would disapprove of my including even more gay material. Tracking The Torchbearer, like On The Battlefields Of Love, not only
has a central gay section but also includes gay-interest material in other
sections. [Regular readers of my blogs will know I do not consider poetry on a
gay theme as something separate from mainstream poetry, nor a genre-within-a
genre as some critics would have it.]
Why was I cautious, even defensive
in earlier collections? Well, contrary to general opinion, gay material is
(still) not seen as a good commercial proposition by most editors and publishers. I think it is
significant that few poems of mine on a gay theme have been published outside
my collections.
I get so fed up with hearing that
‘gays have never had it so good.’ This
may well be true in some parts of the western world but not all, especially
where multiculturalism continues to impose certain historical restrictions and
taboos; among these, same sex relationships. In some parts of the world, of
course, gay people, can be imprisoned, even executed for their sexuality. In
Uganda, for example, in 2010, a
newspaper article published the names of known homosexuals and called for them
to be hanged!
It is high time the world’s
pockets of socio-cultural-religious bigotry came into the 21st
century and got real.
Like it or not, gay people exist
worldwide and should be accorded the same courtesies and Human Rights as any
other responsible members of society. It may be true that much of the northern
hemisphere has pro-gay legislation and political correctness, but many people
simply pay lip service to these; the latter especially has much to answer for in merely driving homophobia underground.
The public face of Equal Rights
often masks the private face of an enduring socio-cultural-religious bigotry.
Of course, our sexuality is only a
part of who we are. Sexual identity is important, but isn’t and shouldn’t be
the last word in life, love and human relationships. I tackle a variety of
themes and events that matter to the world today. Yes, from a personal
perspective, but while trying to give the reader space to move within a poem
and make his or her own way through its
form and content. [Simple, some of my poems may be, but never simplistic.]
A final collection - Diary of a Time Traveller - will
coincide with the year of my 70th birthday in 2015. I am working
on it already; should my prostate cancer catch up with me before then,
my executor has instructions to go ahead and publish it under the Assembly
Books imprint. - RNT © 2012